Search: Starring Steve Buscemi

Crushingly predictable.

The film goes for broke. No safety net. No apologies. Believing in itself.

Nobody plays lazy like Jeff Bridges. You could say he was born to it. Or rather, he's such a good actor he makes it look as natural as an unmade bed.

The script is hilarious and the CGI's lip-and-eye treatment positively perfect

What is astounding, is the restraint shown by director Gary Winick - nothing takes us from the quiet rural life of America in the Forties.

The film's charm is the feeling of spontaneity and randomness.

Jarmusch usually manages to invest his films with a quirky sense of humour, but here the lines fall decidedly flat.

Although beautifully photographed in rich locations, the film reverts to thriller cliches.

If you have ever laughed at the headmaster when he slips on an egg yoke this movie is for you

Either the Coens have no conception of reality, or the people they write about lost the place half way between there and here.

It is the closest thing to an artistic masterpiece in the field of computer generated optical illusion.

It's big, it's flashy, it delivers on thrills, and it's almost completely character-free.

Buscemi gives one of his finest performances.

It delivers every experience I treasure in great drama.

Wonderful performances abound.

A film like this is great for kids: fun, bright, short (76 minutes) and action packed, with a soft nurturing touch.

The film is a bit of a mixed up mess of slapstick, quickfire jokes and sub-teen romantic comedy with musical and dance numbers.

The plot flies in and out of lunacy at gasp speed

A one-gag concept lasts as long as a werewolf's belch

There are too many ideas, both verbally and visually, to take in before the ghost of Walt Disney has a spectral moment.

An odd mix of affectionate satire and jarringly brutal slapstick, the former more successful than the latter except for when an unhinged Jim Carrey is on the prowl.

Fast, furious and Calvin Klein-ad slick.

Overall, King Of New York is distinguished from similarly themed films by its willingness to embrace the gangster genre's exploitative nature; it's as shallow as a puddle but it's riveting viewing all the same.

Rarely does a character jump off the screen in the way Klara does. Ortega is luminous in the role.

A quirky, funny, insightful movie of immense charm.

Classic Coen Bros.

Pixar cares enough to choose the best scriptwriters, the best voice talent, the most innovative animators.

It's not that the new crowd aren't fun, but they're a distraction from those of us who would prefer to spend more time with the best buddy double-act in the Pixar universe.

The CGI animation is what they call in the trade 'top of the range' and the effects are eye boggling.

In the end, it is a question of taste. Either this is Capra refried, or Sandler on toast.

Its hyperreal colours and iconic tableaux ooze retro chic.

An intense character study in triplicate, made gripping both by the deliberately ambiguous way in which Christina Choe approaches everyone's mental state and by the performances.

Cedar aims for emotional truth through visceral recognition and he succeeds in feeding our desire to understand what makes humans do the things we do.

It is like nibbling for nearly two hours in the kitchens of the best chefs. At the end we are exhausted and hungry.

The characters work well...but there’s never quite enough energy to events.

Excitement shivers through each scene with quirky, individual peculiarity.

Ultimately the in-your-face style and confusing story stop the emotions from getting truly under your skin.

DiCillo's dialogue has a cynical bite and the story expands naturally from rejection to humiliation with enormous good humour.

Tarantino's talent for dialogue is what catapults Dogs into instant-classic status.

A hilarious, shocking, and in the end, moving film.

The film is a lot of fun if you don't stop and think.

It's fun. It's quite unabashedly so, which is something too many movies based on this sort of property are afraid of.

Malkovich and Rockwell are magnetic.

This film is as shallow as its hero.